![]() 7, another Caractère pour Marques de Linge in that 1934 Deberny & Peignot specimen book. Foundation Serif is based on Caractère No. Foundation Sans Condensed and Foundation Sans Wide are derived from two types described as Caractères pour Marques de Linge (typefaces for marking on linen) in the Signes section of the first volume of Spécimen Général des Fonderies Deberny et Peignot (ca. Heyer, for the Great Western Type Foundry). Foundation Sans Number 44 was inspired by Circular Gothic No. These are all revivals of skeletal typefaces. Foundation (2018) in Sans (Number 44, Condensed, Wide), Serif, and Serif Didot subfamilies.A2 Flowers ( 2005, Henrik Kubel): arrows, fists, flourishes, ornaments.A2 Danmark ( 2008, Henrik Kubel): a display stencil family.A2 CWM ( 2008, Henrik Kubel): constructivist type designed for the headlines and cover of Cold War Modern Design 1945-1970.A2 CPH Tram ( 2009, Henrik Kubel): revival of an odd mini-serifed type found on the exterior of Danish trams, ca.A condensed sans family with the masculinity of Impact. ![]() A2 Battersea ( 1999, Henrik Kubel): inspired by Meta, DIN and Transport Alphabet.A2 Aveny-T ( 2000, Henrik Kubel): Poster typeface commissioned as aprt of the identity of the Aveny-T theatre in Copenhagen.A2 Archi (2005, Henrik Kubel): an octagonal face.A readable text family designed by Kubel during an Expert Type Design Class in 2011 at Plantin Genootschap in Antwerp. Amplify (2013) won an award at TDC 2014.Kubel is self-taught, making his first typefaces while studying at Denmark's Design School from 1992 until 1997. A2's bespoke type design is mainly the responsibility of Henrik Kubel, though every typeface is developed and approved by both partners. The designers are Henrik Kubel and Scott Williams. Ī2-Type (or simply, A2) is a type foundry set up in the autumn of 2010 by the London based design studio A2/SW/HK. Very Victorian in style, this 200 plus page publication showcases traditional ornaments and has about fifteen pages worth of ornamental capital alphabets. They published Specimens of Electrotypes Comprising Cuts, Borders, Initials, Ornaments, Etc. Ĭhicago-based electrotypers and photo-process engravers. Tobin, and the final version assembled by Norman E. Design work was originally by Georgia K.M. TYPE DESIGN INFORMATION PAGE last updated onĪ metafont with a series of "pointing hand" dingbats in various orientations, including pointing left and right, and "reverse video" versions in the same directions.
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